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  THE COMPLETE MAGIC LANTERN FILM CYCLE (1947-1997)
By KENNETH ANGER
THE MAN-MAGUS



Retrospective curated by Claudine Eizykman and presented


at the Cinema Les Trois Luxembourg
January 15 - February 1997
 
   
 

Fireworks comes from the depths of night, whence all true works emerge. It cuts to the quick of the soul and that is something truly rare.”
Jean Cocteau

“When I think of the work of Kenneth Anger, what comes to mind is its unfailing perfection… I see and I feel with my whole being, in every cell in my body the very distinctive nervous intensity of his images …”
Jonas Mekas

“Every major contemporary filmmaker, from Pasolini and Fassbinder to Scorcese and Coppola, owes a debt to Kenneth Anger, but few have surpassed the shattering impact of his cinematic masterpieces.”
Bruce Posner

“I chose film as a form of personal expression for its power to disturb: it is the surest way to bring about change… As an art form it goes beyond “the aesthetic” and becomes an experience. My films “live” when the viewer forgets that he is watching a work of art! (…) Through agonising efforts, we achieve the phosphorescent layer of myth which is at the foundation of our existence. I will not lie; the landscape of Fireworks was achieved through tunnels of appalling anguish, nights of hallucinations and burning tears …”.
Kenneth Anger

“For Kenneth Anger, being a filmmaker is to fashion cinema as riddled with light and cinematic recollections and to display, as he does, prodigious discrimination amongst the stereotypes he manipulates: those of adolescence (Fireworks), of 20s Hollywood cinema (the use of Barbara La Marr in Puce Moment), the trio of the Comedia delle Arte and magic (Rabbit’s Moon), a masked ball where, in a detour via Harry Lachman’s film “Dante Inferno” we encounter Anaïs Nin and the copy of Caligari’s sleepwalker (1935), (Inauguration of the Pleasure Dome), gangs of motorcyclists (Scorpio Rising), the extraordinary music and rock concerts of the 60s (Invocation of my Demon Brother) and particularly Mick Jagger, recalling the silent presence of Marianne Faithfull (Lucifer Rising).
Claudine Eizykman

In 1996 KENNETH ANGER received the MAYA DEREN AWARD from the American Film Institute for his entire body of work.

See the Kenneth Anger page

 
     
 
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